Drunks Happier, Live Longer

From magazine:

By JOHN CLOUD – Tue Aug 31, 2010 5:25 am ET

One of the most contentious issues in the vast literature about alcohol consumption has been the consistent finding that those who don’t drink actually tend to die sooner than those who do. The standard Alcoholics Anonymous explanation for this finding is that many of those who show up as abstainers in such research are actually former hard-core drunks who had already incurred health problems associated with drinking.

But a new paper in the journal Alcoholism: Clinical and Experimental Research suggests that – for reasons that aren’t entirely clear – abstaining from alcohol does actually tend to increase one’s risk of dying even when you exclude former drinkers. The most shocking part? Abstainers’ mortality rates are higher than those of heavy drinkers.

Moderate drinking, which is defined as one to three drinks per day, is associated with the lowest mortality rates in alcohol studies. Moderate alcohol use (especially when the beverage of choice is red wine) is thought to improve heart health, circulation and sociability, which can be important because people who are isolated don’t have as many family members and friends who can notice and help treat health problems.

But why would abstaining from alcohol lead to a shorter life? It’s true that those who abstain from alcohol tend to be from lower socioeconomic classes, since drinking can be expensive. And people of lower socioeconomic status have more life stressors – job and child-care worries that might not only keep them from the bottle but also cause stress-related illnesses over long periods. (They also don’t get the stress-reducing benefits of a drink or two after work.)

But even after controlling for nearly all imaginable variables – socioeconomic status, level of physical activity, number of close friends, quality of social support and so on – the researchers (a six-member team led by psychologist Charles Holahan of the University of Texas at Austin) found that over a 20-year period, mortality rates were highest for those who had never been drinkers, second-highest for heavy drinkers and lowest for moderate drinkers.

The sample of those who were studied included individuals between ages 55 and 65 who had had any kind of outpatient care in the previous three years. The 1,824 participants were followed for 20 years. One drawback of the sample: a disproportionate number, 63%, were men. Just over 69% of the never-drinkers died during the 20 years, 60% of the heavy drinkers died and only 41% of moderate drinkers died.

These are remarkable statistics. Even though heavy drinking is associated with higher risk for cirrhosis and several types of cancer (particularly cancers in the mouth and esophagus), heavy drinkers are less likely to die than people who have never drunk. One important reason is that alcohol lubricates so many social interactions, and social interactions are vital for maintaining mental and physical health. As I pointed out last year, nondrinkers show greater signs of depression than those who allow themselves to join the party.

The authors of the new paper are careful to note that even if drinking is associated with longer life, it can be dangerous: it can impair your memory severely and it can lead to nonlethal falls and other mishaps (like, say, cheating on your spouse in a drunken haze) that can screw up your life. There’s also the dependency issue: if you become addicted to alcohol, you may spend a long time trying to get off the bottle.

That said, the new study provides the strongest evidence yet that moderate drinking is not only fun but good for you. So make mine a double.

Well then – I guess I had best stop being a shut-in and step up my consumption! If you see me stumbling – buy me some shots.

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Platypus Swims

Some snippets.
I give myself a C-.
But It’ll only improve from here!

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Platypus Lives!

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Casual Kill

So I sat watching , mortified, as my boss casually killed my pet spider, a little jumper who had been keeping me company for a few days. The fact that stuff like that bothers me proves that I am on the wrong planet. Sigh.

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Summer Reading

jesusridingdinosaur00.jpg

Found this on the Ableton Live forum (I love that place!):

Review of “The Holy Bible”

With possibly one of the strongest opening lines in history, the Holy Bible really starts off swinging. Here we’re not only introduced to the main character, named God, but are also informed that he’s some sort of magical being (whether that’s a vampire or a wizard or something, we don’t know yet – we just know he can fly and shoot laser beams). The prose in this section is simply top notch, and you’ll find that the action, atmosphere and language of the Holy Bible are carried off with a master’s touch. But accompanying this impressive show of skill is also one of the book’s greatest flaws: Verbosity. One of the first things they teach you in any writer’s workshop is that every word in a novel should be integral to the story; never leave anything in that doesn’t absolutely need to be there. So, while we as readers start the book all sweeping through demons and darkness like Ronnie James Dio – rocking out and firing lightbeams and building people out of dirt – it all quickly gets bogged down in unnecessary detail.

As readers we’re enthralled by the mystic action; wondering exactly what kind of creature this God is, why he has these powers and what on earth he’s going to do with them, and then all of a sudden we’re pulled out of the action and forced to sit idly while the author describes an entire week (day by day) in God’s life. I mean, that’s great and all that we’re getting some backstory on his character, but honestly, what happened with paragliding through Hell? I don’t really care what your Wednesdays are like, or on which days you like to rest – get back to the action! Jesus, if we wanted to hear about your day, we would read your LiveJournal, Christ.

Due to the presence of these tangents, a lot of readers won’t stick around for the meat of the story, and that would certainly be a shame because once it gets going, it really is one of the most exciting reads around (just to give you an idea of how good it is, the book has apparently gathered such an intense fanbase that some people give it away for free on the streets!). The first half of the book, called the Old Testament, is really more about getting a feel for the setting than it is advancing the story. During this time we get a glimpse of God’s troubled past and are witness to a few key events that really allow the depth of the character to shine through (he’s kind of a dark anti-hero; quick tempered and sometimes spiteful – but much like Julia Roberts in Pretty Woman, he actually has a heart of gold deep down).

The author takes this set-up time to explore the world thoroughly. But while even supporting characters are given their moment to shine, sometimes that gets distracting. For example, during Moses’ adventures, we come to relate to him as a troubled sort of everyman. Sure, he was adopted by royalty, but he never really became complacent. He saw the mistreatment and suffering of the people around him, and he was moved into taking action. All good so far, right? It’s kind of like Footloose or a Bruce Springsteen song: It’s all about the plight of the working man. (And honestly, who exemplifies the working man more than slaves? All they do is work!)

It’s a simple little story of class conflict and redemption, and then, almost without warning, everything suddenly gets magical: Oceans are parted, flaming shrubbery starts yelling at dudes and, in what is one of many disturbingly phallic metaphors littered throughout the book, Moses and the Pharaoh’s magicians start slinging about their “snakes” and “staffs” to see whose is bigger. It’s all quite exciting and imaginative, but it feels kind of like a bait and switch: We came into Moses’ story reading The Grapes of Wrath, then wham! Moses finds out he’s a Jew and everything goes Harry Potter.

In all fairness, the Jews are a notoriously magical people.

After what seems like 400 years, the Holy Bible finally finishes the setup phase and launches us into the main tale, where we meet our central character for the first time – even though it’s still God. Sort of. It gets a little confusing, frankly: Our protagonist, God, is somehow also a character named Jesus Christ, who is the son of God and- listen, it’s never quite clear what the genealogy is, or how God is his own son or anything (and what’s up with the ghost?) but a lot of the set-up just has to be taken on faith. Now, the character of Jesus may not be the most original creation (he’s kind of amalgam of three other prominent protagonists: The “awakened man” complex, like Neo from the Matrix; a bit of Superman’s down home heroics; and an oddly compelling dash of Timothy Leary’s “freaking out the squares” mentality) but he’s oddly endearing nonetheless.

And it’s a good thing Jesus is such a likable protagonist, because his cast of supporting characters seems utterly disposable at times. No sooner are you introduced to an intriguing new character than the author brutally murders them in some bizarre fashion, for no real reason and often with little to no impact on the story itself. The character of John the Baptist, for example, was a personal favorite of mine. He read like a kind of gruff bearish figure (I mentally cast him as John Goodman) and his presence lent the book an almost whimsical twist. But just as I was getting attached to him, the author has him beheaded almost as a footnote!

This is all we John the Baptist fans get for a death scene: “And he sent, and beheaded John in the prison.”

One sentence!

The Holy Bible kills off supporting characters like horror movies kill black people. Listen, I know that was kind of a spoiler, but it’s quite hard to review a book like this without spoiling something: The plot twists, turns, snakes and gyrates like Axl Rose on ecstasy. John’s death was a minor spoiler, but there are some big ones I’m avoiding here (hint: Watch for Zombies!). So, without going further into details that might spoil the work, just know that The Holy Bible is a rompin’ stompin’ fantasy adventure full of subtle morality and intricate allegory the likes of which we haven’t seen since The Lord of the Rings trilogy.

Really, there are only a few criticisms I have: The sections where the author obviously forces their own political agenda into the story are rather distracting (at one point the whole story grinds to a halt so the Jesus character can give some sort of “sermon” on this “mount”-like thing that is little more than liberal propaganda extolling the benefits of a welfare state) and at times it seems like it could’ve used an editor with a heavier hand (1100 pages long?! Who do you think you are, David Foster Wallace?). I must say that overall, the Holy Bible is a story everybody should read at least once. Just keep in mind that though this may seem like your run of the mill fantasy adventure, there are a myriad of vicious maulings, explicit torture scenes, rape and prostitution, so it’s definitely not for children!

Oh, and though there are some hints of a sequel (a Second Coming is mentioned a few times), I wouldn’t hold my breath if I were you – no official deals have been signed at this time.

So, in summation, I’d give the Holy Bible four out of five.


(from here)

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